NARRATIVE
SHORT
FILMs
ADAM’S FALL (2025)
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A 1920s-style expressionism film where Adam, a sad fellow, seeks the wisdom of a cooky fortune teller… but Adam is a man with a large dose of bad luck.
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Producer: London Film Academy
Director: Layla Furlong
Writer: Rokanmi OunyumiAdam: Liam Thorley
Fortune Teller: Alison RoseScript Editor: Layla Furlong
1st Assistant Director: Emma Lee
Editor: Layla Furlong
Production Designer: Amelija Morkunaite
Director of Photography: Heather Sutton
1st Assistant Camera: Arman Khorram
2nd Assistant Camera: Alexander Des Monstiers Merinville
Camera Operator: Aadel Khan
Gaffer: Nikita Novikov
Spark: Phillip Dewhurst
Sound Mixer: Adi Detemo
Boom Operator: Jason Niu Jun Hong
Music Accompaniment: Colm FurlongSound Effects Published by Epidemic Sound
And Now I CAN SLEEP WELL AT NIGHT (2024)
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A girl has left home. This montage art film explores mental health, trauma, love, and the queer experience in early adulthood.
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Producer: Layla Furlong
Director: Layla Furlong
Writer: Layla FurlongStarring: Millie Ling
Featuring: Rachel Diack, Chris Wighton, Ryan O’Donnell, SpencerVideographer: Layla Furlong
Editor: Layla Furlong
Assistant Camera: Changyoon Lee, Jaden AndrewsRunners and Other Assist: Nela Poniewierska, Rebecca Niccolai, Pauline Hussenet, Violetta, Talha Çapkinoglu, Charlotte Timbs, Charlotte Flynn, Milana Dmitrijeva
FRAIL
(2022)
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Amidst the COVID-19 epidemic, a young Constance experiences the loss of her mind and relationship.
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Producer: Layla Furlong
Director: Layla Furlong
Writer: Layla FurlongStarring: Lucy Divers & Anna Hayward
Videographer: Layla Furlong
Editor: Layla Furlong
Assistant Camera: Jasmin Dewar
Runner: Summer DubrowskiWith thanks to Tim Robson
8 Chung Hau Street (2021)
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A documentary film where Grandma Wong talks about her experience living in Hong Kong over the many years of political and economic changes.
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Producer: Layla Furlong
Director: Layla FurlongStarring: Grandma Wong
Videographer: Layla Furlong
Editor: Layla Furlong
Assistant Camera: Jasmin DewarTranslators: Kwok Yan Ki, Donna Chu, Pak Ho Chung
With thanks to Drew Deeb & Tim Robson